Crash Proofing Pro Tools

by Chris

Pro Tools Setup Tutorial Video

There a few things that can ruin your creative flow and musical enjoyment more than a crashed Pro Tools system. But as the saying goes, ‘an ounce of prevention is worth a pound of cure‘.

So, rather than waiting until you’re in the middle of recording an incredible vocal take or a once-in-a-lifetime solo to think about it, take 20 minutes now and learn about some of the ways you can minimize the crashes..

Time Required: 20 minutes

Objective: Locate compatibility information about your Pro Tools system on the Avid website. Identify hardware and software components in your system that are potentially causing errors and crashes. Take steps to replace or update incompatible components, software and plugin versions.

Crash Proofing Pro Tools Video
Title Length Size
17:45 50.1 MB

Video Notes

Here are links to some of the web pages and to the Glyph hard drive that I talk about in the video.

Hard Drive

Glyph GT 050Q Digidesign Approved Hard Drive

Mac Compatibility Pages

Main Support Page
Hard Drive Requirements for Pro Tools LE
Plug-In Compatibility Grid

Windows Compatibility Pages

Main Support Page
Hard Drive Requirements for Pro Tools LE
Digidesign-Qualified FireWire/1394 HBA Cards for Windows
Plug-In Compatibility Grid

{ 9 comments… read them below or add one }

1 Larry Durham July 20, 2009 at 7:17 am

Hi Chris
The video’s are playing great! Your sound is extremely good with plenty of volumn ans clear, crisp dioalog. Thanks!

Larry

2 Chris Bryant July 22, 2009 at 9:38 am

Larry ~ Thanks for letting me know!

3 Daddy Vic September 28, 2009 at 7:44 pm

The video’s are playing great.
Thanks!

4 Jørgen Landhaug October 10, 2009 at 8:17 pm

Hey!
Extremely well explained video.
Im just tracking down lots of problems on my set up.
Though i have been going through these stages a few times now
your video inspired me to go through my set up and get to the bottom of things.
Cheers

5 Chris Bryant October 13, 2009 at 1:26 am

Jørgen ~ Thanks for the comment. I appreciate the feedback very much.

6 Ronnie A December 7, 2009 at 5:50 am

Hey Chris
Very informative video. I was having a little problem with
updates but you clarified the issues that I needed resolved.
Thanks again. Keep’m comin’.

Ronnie A.

7 Kevin Bruff January 4, 2010 at 3:04 pm

Great Job. Thank you.
I have renewed my interest in Pro-Tools. After a year or so of being frustrated with it I have begun to take another glance at how it can me to accomplish my goal.

8 Peter Roumeliotis March 30, 2010 at 12:59 pm

Great videos!
I’m using PC. Just about to install Win 7, 64bit, with a new hard drive. I have one for audio presently (WD), and I’m thinking of another Western Digital (larger then the old one), for operating.

My question is why should I use an external hard drive? Always considering the sound quality. Is Glyph better sounding? They use Seagate HD. Western Digital, Black SATA III are just as good if not better. Yes, Glyph has have safety issues as per data loss, but I will set up the HD for that. Any suggestions?

Thanks

9 Chris Bryant April 21, 2010 at 5:29 pm

Peter ~ Sorry for the long delay in my reply and thank you for the compliment.

About your question. Did I say “external” or “dedicated” drive? (I should have specified, “dedicated” – sorry). You should use a dedicated drive for audio. If it’s a second internal drive, that’s fine.

The basic idea here is that a drive is a physical mechanism. Although it is capable of retrieving data very quickly, the demands of Hard Disk Audio (the name says it all) are such that far more data being retrieved and stored simultaneously than, say, a Word Processor or Photoshop.

This is why the specification requirements for hard disk audio recording are much more stringent than the typical internal 5200RPM drive can meet.

In addition to this, even if you are running a fast (7200RPM+) internal drive for your OS, I would still use a second (or multiple), dedicated drive(s) for audio because your Operating System and Applications retrieve and write data to the drive as you are working. Albeit not to the extent of HD Audio or Video, of course. But enough so that it can interfere with the process of your audio being written or played back from the drive.

Thirdly, recording audio to the system drive is not supported by Avid.

As far as Glyph sounding better? No. I wouldn’t say that. But where reliability and speed are concerned, they’re fantastic.

At the moment I am running six drives – three extra internal SATA drives and three LaCie external FW400 D2 Drives. I believe all are Seagate Barracuda 7200RPM drives. All of these cost me less than I used to pay for three or four rolls of tape totaling 40 minutes of 48 track recording. (Remember that?!). In other words, drives are dirt cheap for the amount of audio you can record on them, for anyone who is wary of spending the extra $.

And just for fun. Here’s a true story. Last year, I thought my taste for expensive (or “more” expensive drives) was becoming out-dated. After all so many people seem to insist on recording to any ‘ol drive these days, right? So, I went to the local computer store and bought an Iomega 500GB External FW drive. Five weeks later, I turned on that drive and it literally went up in smoke. Really. (My wife will forever remember that as the day I lost it over “that hard drive”).

In the end it cost my close to $1000.00 to recover the session data from the fried drive. Now, it could have been an anomaly, sure. But I’ve never had issues like that with Glyph or LaCie.

One last tip: some users (myself included) switch of Auto Session Backup while recording and then turn it back on when editing.

PS: Backup often.

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